The price of each sculpture is determined according to several criteria: its uniqueness, the complexity of its creation, the materials used, the time involved, its dimensions, as well as the artistic research behind it.

My sculptures are initially modelled in clay, after which the modelling process continues directly in resin, using a personal technique that I developed myself. The resin thus becomes a modelling material in its own right, rather than simply being poured into a mould. This continuity of the creative process allows each sculpture to remain a unique work of art.

My artworks are part of my artistic approach, which I call Cosmomorphism. It combines forms, colours and light to give visible expression to sensations and emotions.

My prices are also established with the intention of remaining accessible. At present, my personal remuneration is approximately 50% of the French legal minimum wage, despite the time devoted to creation and artistic research.

On some online art galleries, commissions can reach 45% of the sale price. After this commission is deducted, my actual remuneration can fall to the equivalent of approximately 25% of the French legal minimum wage.

The price of each artwork therefore reflects its artistic value, its uniqueness, the work required to create it, and the actual conditions under which it is presented and sold.

But beyond the question of price, what matters most to me is being able to continue the artistic journey I have embarked upon.

I am deeply happy when someone chooses to come aboard my ship, take one of my artworks with them, and continue this journey alongside me.